Sanjeev Kumar Biography: The legendary actor Sanjeev Kumar was born on July 9, and on this occasion, his admirers are remembering him on social media. Recognised for his adaptability, Sanjeev Kumar was one of the finest actors in the Hindi film industry, allowing him to effortlessly assume any role. His flawless dialogue delivery and screen presence remain aspirations for the current generation of actors.
Sanjeev Kumar Biography
Early existence and history
Sanjeev Kumar was born Harihar Jethalal Jariwala (also known as Haribhai)[5][6] on 9 July 1938 in Surat to a Gujarati family;[7] he moved to Mumbai as a small child. A stunt in film school led him to Bollywood, where he became a successful actor. He is regarded by both critics and the general public as one of the finest actors the Indian film industry has ever produced. Kumar had two brothers and one sister junior than him. He was fluent in Gujarati, Hindi, and English.
Sanjeev Kumar Career
Sanjeev Kumar began his performing career in Bombay as a stage actor before joining the Indian National Theatre. Beginning in 1960, when he portrayed an elderly widower in an adaptation of Arthur Miller’s All My Sons, he favoured portraying older characters. In 1960, he made his film début in a small role in Hum Hindustani, and in 1965, he starred as the main character in Nishan. In 1969, he starred alongside Shammi Kapoor and Sadhana in the blockbuster film Sachaai, alongside Dilip Kumar in the 1968 film Sangharsh.
He starred in the 1966 Gujarati film Kalapi, which was based on the biography of the poet Kalapi. Kumar won the BFJA Award for Best Actor (Hindi) for his portrayal of a deaf and mute person in Koshish, which was also nominated for the Filmfare Best Actor award. Seeta Aur Geeta (1972), Manchali (1973), and Aap Ki Kasam (1974) were box office successes in which he starred.
Midway through the 1980s, Northern Indian producers and directors desired to remake their Tamil and Telugu films in Hindi with Kumar or Rajesh Khanna in the main role. These remakes of Hindi films elevated him to greatness as an actor. Kumar portrayed the role played by Thengai Srinivasan in Yehi Hai Zindagi, starred as the main character in the 1974 film Shaandaar, and portrayed the role played by AVM Rajan in Anadhai Aanandhan in its 1970 Hindi adaptation Chanda Aur Bijli.
Even between 1980 and 1985, South Indian filmmakers cast him in leading roles. He played the role played by N.T. Rama Rao in the 1980 Hindi remake Takkar of Devina Chesina Manushulu, Tayaramma Bangarayya in its 1981 Hindi remake Itni Si Baat, and Sivaji Ganesan gave Kumar a role in his own home production Gauri (1968), a remake of Shanti (1965).
In films like Seeta Aur Geeta, Biwi O Biwi (1981), Pati, Patni Aur Woh, Angoor (1982), and Hero (1983), Sanjeev Kumar’s outstanding comic timing amused audiences. His performances in the unsuccessful films Charitraheen, Angaare, Grihapravesh, Chehre Pe Chehra, Sawaal, and Yaadgaar were praised by critics and during their subsequent broadcast on television.
Sanjeev Kumar Personal Life
Kumar never married in his lifetime. In 1973, he proposed to Hema Malini, and they remained in contact after his first heart attack in 1976. Later, Sulakshana Pandit recalled falling in love with him and proposing marriage, which he politely declined.[12] It is speculated that Sulakshana Pandit chose to remain unmarried as a consequence of this rejection.
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Problems with health and mortality
In the United States, he underwent a bypass after his first heart attack. On November 6, 1985, at the age of 47, he suffered a severe heart attack that ultimately proved fatal. His junior brother Nikul passed away prior to him, while his other brother Kishore passed away six months later.[5][13] Although he was an actor who had portrayed many geriatric characters, he died before turning 50.
After his death, more than ten films starring Sanjeev Kumar were published, with the final film, Professor Ki Padosan, being released in 1993. At the time of his passing, only about three-quarters of this film had been completed, and it was ultimately determined to alter the plot of the second half to account for Kumar’s absence.
